Showing posts with label 50mm. Show all posts
Showing posts with label 50mm. Show all posts

Thursday, December 18, 2025

Portrait: Siddhu



We used to trek together, long back. He was always the quiet reliable happy mate. Always ready to help.

He fought back to life after a devastating motorbike accident.

Siddhu is a fighter.

Camera: Sony A7R III
Lens: Voigtländer Nokton 50mm F 1
Light: a tall Ikea paper lamp


Portraits of the Soul

Tuesday, January 28, 2025

Gadda Jatra - Solapur's Annual Fair

Pointy nosed mice and the giant wheels

As far back as I remember I have heard about the annual 'Gadda Fair' (गड्ड्याची जत्रा). My mother comes from Solapur and she used to tell stories of her father buying her the biggest dolls in the entire fair. I have seen old family photographs with fancy backdrops taken by the travelling studios.

I never had the opportunity to visit as we had school in January. The fair still continues — albeit differently now, I suppose. It is hard to imagine a fair surviving the age of intagram and smart phones. But it does and I finally had the opportunity to visit it this Jan.

Geometric life

The man on the phone

Hot seeng and chana

MH13 coooog-gadi

A chat with the friendly dragon

Wheel of life

Life goes on. All around.

One man's enjoyment is another's food.

Trapped transporter

Lights and shadows

My partner in the explorations

Serious Observations of a Funny World

Saturday, January 25, 2025

Oh melancholy!


“Melancholy is the happiness of being sad.”

— Victor Hugo



The photo is of a old man who is watching the priest do his stuff in a small temple on the outskirts of Solapur. He is lost in thought. The wire mesh adds a whimsy of him being trapped in this life, perhaps.

Shot with the Voigtlander Nokton 50/1 at F1.

Friday, January 24, 2025

Around Nalsarovar


We travelled 750km to the Nalsarovar only to find that some local political upheavel has caused it to be shut temporarily. The boatmen were no longer allowed into the lake. Our host, Ramzanbhai, was apologetic. He had hoped, I am sure, that things would be normalized quickly.

As we were already there, we roamed the region around the sarovar. Saw some birds.



Castor farms



The Anil

Balabhai and Santosh


The salt encrusted shores


Serious Observations of a Funny World

Saturday, December 21, 2024

The Salt Makers of the Little Rann of Kutch

Kalubhai


Kalubhai. I have had the privilege of spending 2 days with Kalubhai and his family. Kalubhai is a 4th generation salt maker from the Little Rann of Kutch.

The Rann is a harsh place - barren with almost no good water. The sun beats down so hard that people not accustomed to this climate will not be able to survive a summer here. The wild asses roam this arid land. The raptors fly over it looking for food. This almost featureless vast landscape extends upto where the sky meets the horizon. Walking on the parched cracked earth gives you a sense of melancholy.

The land oozes salt water. This is what is used for the salt making. Shallow wells are dug and the water is pumped into the salt pans. The once manual process had shifted to using water pumps running 24/7 on crude oil. Now they run only at night. Electric pumps run in the daytime powered by 2 large solar pannels. You can see these pannels dotted around the landscape - indicating where a family is working.

Salt-making is a laborious task. They work barefoot in the salt pans. This takes a toll on their legs and feet, and older people have permanent swellings and thickening of their skin. Both Kalubhai and his wife work this tough job.

The land taketh but it also giveth. You get to see the sun rise from the ground on the horizon - shining in its vast glory. The nights are fantastic with millions of stars adorning it. The air is crisp and clean. There is a simplicity to this life which balances the harsh realities.

We entered this remote and mystical world through the gateway at Zhinzhuwada. Kalubhai's elder son met us at the Vasraj dada temple at the edge of the Rann. Vasraj dada is the local deity who is supposed to have fought with a monster to protect his cows. He was beheaded but still continued to fight. There are two temples - one where his head fell and the other where his body fell. The later is a large complex where a yearly festival of some size occurs.

Kalubhai and his wife fed us home cooked and love infused food. Bajra rotla and mixed veg sabzi, fresh toor rassa sabzi, special suji halva. All washed down with lots of chaas. We sat under the shade of the solar panels and listened to their simple life.

We drove across the Rann to the larger Vasraj dada temple. An unforgettable journey! I had the feeling of being on an alien planet. The vast grey-brown landscape stretched all around us. Seemingly unending.

At the temple we had the prasad lunch. Sweet rice, chapati's and mixed-veg sabji. And chaas. We washed and cleaned our plates after eating. Then we rested for some time before heading back.

One the next day we attempted to get to the nearby dam but out vehicle got stuck in the sticky mud. Some of the areas are wet muddy slush and they appear darker. Mukesh - Kalubhai's son - was guiding us but he, being used to his light two wheeler, misjudged a patch. Our heavy car just sunk and refused to budge. After trying with stones and wood sticks and what not we finally got a tractor to pull us out.

We had pitched out tents next to the hut to protect somewhat from the wind which can get pretty strong. The nights were chill - about 13C. Early morning Kalubhai's wife made us hot puri's to go with the sweet black tea they drank. The tea had a distinctive salty taste due to the water. Super tasty combination.

After two nights experiencing the loving hospitality of these hardy folks, we bid adieu and headed back towards reality.


The Rann is vast. It is flat and featureless. The horizon stretches out in all directions. The landscape evokes a sense of melancholy.

The landscape is dotted with these small temples dedicated to various deities. They serve as markers on this featureless landscape.

Kalubhai's wife working on the pan. They flatten the base with their bare feet as they preapre a new pan. It is very hard work. The mud is sticky. When dried it hardens like a rock. We had to use screwdrivers to get it out of our shoes.

A control board. Sort of. Control of the pumps.

The boys of the Rann. Children of the salt makers

The vast Rann

Our vehicle got stuck in the salty mud and had to be pulled out by a tractor.

The gate at Zhinjuwada - The gateway to the Rann

The salt pans

The salt pans

Dawn. The white salt reflected the sky vividly.

Arrid

Food for the soul

Bajra rotla's, fresh toor rassa, special halva. It was amazing food.

We spent two nights in our tents next to their hut.

We bid adieu to Kalubhai and his family in the cold morning.

Saturday, November 16, 2024

Portrait: The Local Train Traveller


He travelled 34 years in Kalyan-VT local train. Saw the city change through a moving window.

Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50/1.4
Light: Tube light on the top-left and behind him.



Portraits of the Soul

Friday, July 30, 2021

Portrait: Anuja


This is a single strobe portrait of my beautiful friend Anuja. The softbox is placed on the top left of the frame.

The photo
Camera: Sony A7R-MIII
Lens: Sony Zeiss Plannar 50 F1.4
Light: Speedlight in a softbox
Postprocessing in Photoshop.

Tuesday, July 20, 2021

Portrait: Anuja



The usual fake smiles and soft skin photos do not do justice to the soul of the human. We need to dig deeper. We need to try to surface the deepest emotions we have inside of us. To bring out and wear our true face with its innumerable moods and expressions. There is beauty in that truth.

Anuja, like all ladies, loves a beautiful glamorous photo. But at my behest, she bravely put in serious efforts to bring out a genuine serious emotion. I found this photo to be far more interesting than those other sweet ones. But that is just me. :-)

The photo
Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50 F 1.4
Light: Speedlight in a softbox
Postprocessing in Photoshop.

Thursday, July 15, 2021

Portrait: Mitr Amey


My friend Amey. A treker. A biker. A traveller.

The photo
Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50 F 1.4
Light: Speedlight in a softbox

Monday, May 24, 2021

Twinking eyes


My father's eyes twinkle when he smiles. (My Indu Atya, his sister, also has the same smile.) He loves to crack silly jokes - we call them PJ's by VJ.

The photo
Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50 F 1.4
Natural light from a window.

Friday, May 14, 2021

The Soft Hands



My father has soft hands.

I have rarely, if ever, met someone who has more empathy than my father. He can feel the pain and suffering of others. And when he does, he gets besides himself in trying to ease it.

Growing up, these soft hands have carassed us and given us so much comfort. They have toiled tirelessly so that we could live.

Sony A7R III with Sony Zeiss Plannar 50mm F1.4

Tuesday, May 11, 2021

The Writer



A published author and a deep thinker. Whenever I try to click him, there is some kind of shyness which comes over him. Like a true blue creative soul, perhaps, he is unsure of what part of his complex self will be visible in the photo. Perhaps.

He has written a full length crime thriller novel published by Hachette. It has been well recieved. You can buy your copy here: Shot, Down.

The photo
Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50 F 1.4

Artificial light coming from a couple of sources. Post processed in Lightroom/Photoshop. I tried to give a softer look in similitude of the softer introspective nature of the artist's soul.

Friday, April 02, 2021

Animal angel

He loves animals more than humans. They love him back.
He sings. He plays the piano.
He cracks silly jokes.

He is a dear friend from our time at the campus.

The photo
Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50 F 1.4
Other Equipment: A simple reflector

There was soft lighting coming from a window on the left. I used a reflector to fill in the opposite side. The idea of the lights was because I suddenly felt his 'angel' ness when it came to animals. He really can connect to them. My dog also goes crazy when he is around. These are cheap christmas lights which I wrapped around his head. Post processed in Lightroom/Photoshop.

Tuesday, January 26, 2021

Curious



The wife is not happy when I click her photos. She belives I have no sense and always click when she is not ready. Here is one of the moments when she is curiously looking at my antics.

The photo
Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50 F 1.4
Natural light from a window on the left.