Showing posts with label Sony A7R3. Show all posts
Showing posts with label Sony A7R3. Show all posts

Monday, June 16, 2025

The owlets of Pench

These owlets were screaming their guts out at sunset.

Sometimes you meet some new folks and are taken aback by their warmth. They easily welcome you into their fold and share their lives. The positive impact this leaves shows how intertwined we all are. The human experience is essential to happiness.

Shirish Katikar and family are such people. Last year in November I got a chance to head down to Nagpur to visit their small farmstead near the Pench forest. We stayed in a tent, cooked some food and took walks in the surrounding jungle.

Friday, January 31, 2025

The Masses


“The masses have never thirsted after truth. They turn aside from evidence that is not to their taste, preferring to deify error, if error seduce them. Whoever can supply them with illusions is easily their master; whoever attempts to destroy their illusions is always their victim. An individual in a crowd is a grain of sand amid other grains of sand, which the wind stirs up at will.”

— Gustave Le Bon



The photo is of a small new plant which has taken root in te moss on an old tree. We were at the MTDC Mahabaleshwar and it is full of really old moss laden trees. Clicked with the Voigtlander Nokton 35/1.2 lens at F 1.2.

Saturday, January 25, 2025

Oh melancholy!


“Melancholy is the happiness of being sad.”

— Victor Hugo



The photo is of a old man who is watching the priest do his stuff in a small temple on the outskirts of Solapur. He is lost in thought. The wire mesh adds a whimsy of him being trapped in this life, perhaps.

Shot with the Voigtlander Nokton 50/1 at F1.

Sunday, January 05, 2025

Sunday Flower



“In the midst of chaos, there is also opportunity”
― Sun-Tzu, The Art of War

Saturday, December 21, 2024

The Salt Makers of the Little Rann of Kutch

Kalubhai


Kalubhai. I have had the privilege of spending 2 days with Kalubhai and his family. Kalubhai is a 4th generation salt maker from the Little Rann of Kutch.

The Rann is a harsh place - barren with almost no good water. The sun beats down so hard that people not accustomed to this climate will not be able to survive a summer here. The wild asses roam this arid land. The raptors fly over it looking for food. This almost featureless vast landscape extends upto where the sky meets the horizon. Walking on the parched cracked earth gives you a sense of melancholy.

The land oozes salt water. This is what is used for the salt making. Shallow wells are dug and the water is pumped into the salt pans. The once manual process had shifted to using water pumps running 24/7 on crude oil. Now they run only at night. Electric pumps run in the daytime powered by 2 large solar pannels. You can see these pannels dotted around the landscape - indicating where a family is working.

Salt-making is a laborious task. They work barefoot in the salt pans. This takes a toll on their legs and feet, and older people have permanent swellings and thickening of their skin. Both Kalubhai and his wife work this tough job.

The land taketh but it also giveth. You get to see the sun rise from the ground on the horizon - shining in its vast glory. The nights are fantastic with millions of stars adorning it. The air is crisp and clean. There is a simplicity to this life which balances the harsh realities.

We entered this remote and mystical world through the gateway at Zhinzhuwada. Kalubhai's elder son met us at the Vasraj dada temple at the edge of the Rann. Vasraj dada is the local deity who is supposed to have fought with a monster to protect his cows. He was beheaded but still continued to fight. There are two temples - one where his head fell and the other where his body fell. The later is a large complex where a yearly festival of some size occurs.

Kalubhai and his wife fed us home cooked and love infused food. Bajra rotla and mixed veg sabzi, fresh toor rassa sabzi, special suji halva. All washed down with lots of chaas. We sat under the shade of the solar panels and listened to their simple life.

We drove across the Rann to the larger Vasraj dada temple. An unforgettable journey! I had the feeling of being on an alien planet. The vast grey-brown landscape stretched all around us. Seemingly unending.

At the temple we had the prasad lunch. Sweet rice, chapati's and mixed-veg sabji. And chaas. We washed and cleaned our plates after eating. Then we rested for some time before heading back.

One the next day we attempted to get to the nearby dam but out vehicle got stuck in the sticky mud. Some of the areas are wet muddy slush and they appear darker. Mukesh - Kalubhai's son - was guiding us but he, being used to his light two wheeler, misjudged a patch. Our heavy car just sunk and refused to budge. After trying with stones and wood sticks and what not we finally got a tractor to pull us out.

We had pitched out tents next to the hut to protect somewhat from the wind which can get pretty strong. The nights were chill - about 13C. Early morning Kalubhai's wife made us hot puri's to go with the sweet black tea they drank. The tea had a distinctive salty taste due to the water. Super tasty combination.

After two nights experiencing the loving hospitality of these hardy folks, we bid adieu and headed back towards reality.


The Rann is vast. It is flat and featureless. The horizon stretches out in all directions. The landscape evokes a sense of melancholy.

The landscape is dotted with these small temples dedicated to various deities. They serve as markers on this featureless landscape.

Kalubhai's wife working on the pan. They flatten the base with their bare feet as they preapre a new pan. It is very hard work. The mud is sticky. When dried it hardens like a rock. We had to use screwdrivers to get it out of our shoes.

A control board. Sort of. Control of the pumps.

The boys of the Rann. Children of the salt makers

The vast Rann

Our vehicle got stuck in the salty mud and had to be pulled out by a tractor.

The gate at Zhinjuwada - The gateway to the Rann

The salt pans

The salt pans

Dawn. The white salt reflected the sky vividly.

Arrid

Food for the soul

Bajra rotla's, fresh toor rassa, special halva. It was amazing food.

We spent two nights in our tents next to their hut.

We bid adieu to Kalubhai and his family in the cold morning.

Sunday, November 24, 2024

A slice of Mumbai - the Worli Sea Link


Christmas 2023. Didi treated us to a dinner in the Taj Land's End. Juicy mutton gravy and lots more. She also took us on a tour and showed us a balcony on one of the higher floors. Exclusive spaces for the exclusive folks of this world. We were lucky to get a glimps at all.

This photo is taken from up there.


Serious Observations of a Funny World

Monday, November 18, 2024

Portrait: The Mountaineer


A mountaineer. Once must learn how to live from him. How to be happy and enjoy every day. How to face challenges and climb over them. How to be simple.

Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50/1.4
Light: Natural light from a french window on the left (his right).


Portraits of the Soul

Sunday, November 17, 2024

Sunday Flower


“Do not dwell in the past,
do not dream of the future,
concentrate the mind on the present moment. ”

― Buddha

Saturday, November 16, 2024

Portrait: The Local Train Traveller


He travelled 34 years in Kalyan-VT local train. Saw the city change through a moving window.

Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50/1.4
Light: Tube light on the top-left and behind him.



Portraits of the Soul

Saturday, August 24, 2024

Patterns of Life


To understand is to perceive patterns.
- Isaiah Berlin

Beauty lies all around us. When we are open to receive beauty we will see patterns all around.

To be “open to receive beauty" is to cultivate a mindset of reverence and appreciation for all the that surrounds us - both minute and grand. We need an “active openness" which requires us to engage with our surroundings with mindfulness and intentionality.

William Blake, in his glorious poetic wisdom, said:
“To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour."

When one adopts such an open stance, patterns of beauty reveal themselves with a magical clarity. The interplay of light and shadow, the juxtaposition of myraid forms, the cadence of the wind and water and of life itself — all become agencies of joy and a reminder of the inherent order and harmony that govern the universe.

In this state of openness, beauty is not merely observed; it is experienced. It becomes a source of inspiration and a reminder of the interconnectedness of all things. As John Keats wrote, “A thing of beauty is a joy forever: its loveliness increases; it will never pass into nothingness." Beauty, therefore, is not transient; it lingers, enriching our lives with each encounter and leaving an indelible mark on our souls.

To see beauty and the patterns it forms is to embrace life with a full heart - it is an invitation to look deeper, to feel more profoundly, and to live with an awareness that transforms the ordinary into the extraordinary.


Photo taken at Badami on a Sony A7R3.

Monday, June 24, 2024

Tuesday, December 19, 2023

Monday, August 28, 2023

Portrait: Poonam

She loves fish. Drives fast and furious. She is a softhearted person with the soul of a fighter.

I try to look for that fighter, hidden behind the usual light banter and laughter...

Camera: Sony A7R III
Lens: Sony Zeiss Plannar 50/1.4
Light: Portable square softbox with strobe


Wednesday, August 23, 2023

Oriental Dwarf Kingfisher - The Jewel of the Konkan



The Kathikar's had come down from Nagpur. Ravi and Sanket from Mumbai. The ODK - as the Oriental Dwarf Kingfisher is lovingly called in the birding community - was the center of our attention. Samadhan Pawar from Kalle Village on the outskirts of the Karnala Bird Scantuary had a couple of hide's setup. It was my first experience of photographing from a hide. about 8 of us sitting in silence for about 6 1/2 hours! I was the only noisy one.

The birds used to come to the perch (setup opposite to the hide) with the food they caught for their budding hatchlings. They used to rest for a couple of seconds, look around and then pfffft! fly away. Those were the sessions when all the cameras went clicity-click-click-click.








Monday, July 03, 2023

Blue-eared Kingfisher

What a beautiful bird!

Me and the wife went on an impromptu trip across the Konkan. The daughter had gone to some camp and we wanted to be in the vicinity. On day 3 we went to a remote village called Abloli. Sachin Karekar runs a nice eco-tourism place called Gaarva agro-tourism. Nice stay and excellent local food. The area is thickly wooded and home to many birds. Sachin is an excellent guide to birdwatchin.

These little buggers hung out in the under sides of bushes on the river bank. Very dark spots. They are so quick. I loved watching them fish. But they were too fast for me to capture on camera. We spend well neigh 2 hours prowling the river banks for these photos.

Camera Sony A7R3 with the Sony FE 200-600/5.6-6.3











Sony A7R3 with a Sony FE 200-600/5.6-6.3 G lens

Monday, June 26, 2023

Birds of Phungus Sangameshwar - May 2023

Rufous Wood Pecker

Brahminy Starling

Black Shouldered Kite

Jungle Babbler

?

Indian Blackbird

Indian Blackbird

White Cheeked Barbet

White Cheeked Barbet

Pipit

Red Vented Bulbul

Yellow Footed Green Pigeon (हरियाल). State bird of Maharashtra.

Common Iora

Tickel's Blue Flycatcher (Devrukh)

Fantail (Devrukh)

Camera Sony A7RIII with Sony 200-600 F 5.6-6.3 on a Getzo Monopod